The horror of the First World War brought out a characteristic response in a group of English artists, who resorted to black humour. Among these, John Hassall, a pioneering British illustrator and creator of the influential 'Skegness is so bracing' poster, holds a special place. Early in the war, he hit on the idea of drawing a parody of the Bayeux Tapestry to satirize German aggression and add to the growing genre of war propaganda. Taking the scheme of the famous tapestry which celebrates William the Conqueror's invasion of England, Hassall uses thirty pictorial panels to tell the story of Kaiser Wilhem II's invasion of Luxembourg and Belgium. In mock-archaic language he narrates the progress of the German army, never missing an opportunity to lampoon 'bad' behaviour: 'Wilhelm giveth orders for frightfulness.' The caricatured Germans loot homes, make gas from Limburg cheese and sauerkraut, drink copious amounts of wine and shamefully march through Luxembourg with 'women and children in front.' With comic inventiveness Hassall adapts the borders of the original to illustrate the stereotypical objects with which the English then associated their enemy: they are decorated with schnitzel, sausages, pilsner, wine corks and wild boar. Drawn with Hassall's distinctive flat colour and striking outlines, Ye Berlyn Tapestrie is a fascinating historical example of war-induced farce, produced by a highly talented artist who could not then have known that the war was set to last for another two years. Together with an introduction which sets out the historical background of its creation, every page of this rarely seen publication is reproduced here in a fold-out concertina, just like the original, to resemble the style of the Bayeux Tapestry.

Why did Asquith take Britain to war in 1914? What did educated young men believe their role should be? What was it like to fly over the Somme battlefield? How could a trench on the front line be 'the safest place'? These compelling eye-witness accounts convey what it was really like to experience the first two years of the war up until the fall of Asquith's government, without the benefit of hindsight or the accumulated wisdom of a hundred years of discussion and writing. Using the rich manuscript resources of the Bodleian Libraries, the book features key extracts from letters and diaries of members of the Cabinet, academic and literary figures, student soldiers and a village rector. The letters of politicians reveal the strain of war leadership and throw light on the downfall of Asquith in 1916, while the experiences of the young Harold Macmillan in the trenches, vividly described in letters home, marked the beginning of his road to Downing Street. It was forbidden to record Cabinet discussions, but Lewis Harcourt's unauthorised diary provides a window on Asquith's government, complete with character sketches of some of the leading players, including Winston Churchill. Meanwhile, in one Essex village, the local rector compiled a diary to record the impact of war on his community. These fascinating contemporary papers paint a highly personal and immediate picture of the war as it happened. Fear, anger, death and sorrow are always present, but so too are idealism, excitement, humour, boredom and even beauty.

...No fewer than two hundred thousand Germans were already upon English soil! The outlook grew blacker every hour. Eight years before the outbreak of the First World War, when national hysteria over the supposed presence of German spies in England gripped the country, the journalist and novelist William Le Queux imagined a catastrophic scenario in which the German army invaded Britain in a shock attack on the east coast. His novel, first published as The Invasion of 1910 and serialised in the Daily Mail, was intended as a warning to military strategists and the government of the time that England was unprepared against the real threat of military assault. It sold over one million copies and was translated into twenty-seven languages. This chilling story chronicles a fictional war fought on British homeland, with detailed accounts of battles and defence lines in real locations envisaged in conjunction with the defence experts of the time. It also brings to life the realities of food shortages, propaganda, espionage, media coverage and the vulnerability of financial institutions during an attack. The story begins with an innocuous conversation between two journalists who have lost telegraphic connection with Great Yarmouth but quickly unfolds as news emerges of a full-blown invasion. One by one strategic cities - Birmingham, Manchester and Sheffield - are abandoned to the German army until events culminate in the battle for London. More than an entertaining read, this novel, complete with fictional proclamations from Kaiser Wilhelm II, shines a spotlight on the fears and hopes of Britain at the beginning of the twentieth century and heralds a very different idea of warfare from the time before the Great War.